Podcast mastering without another hour in the editor
Upload the edited episode and get it back cleaned, balanced between speakers and finished at a consistent loudness. Same process every week, same result.
New accounts get 60 minutes free. No card needed.
Finish the episode after the edit
Optivox is not a timeline editor and does not try to be. Cut the conversation the way you want it, drop in your music, then hand the file over. The repetitive cleanup, level balancing and final mastering pass happen automatically.
What podcast mastering changes
- Background noise: fans, traffic, hiss, computer hum.
- Room sound and reverb from recording in an ordinary space.
- Tonal balance across voices that were recorded on different gear.
- Level differences between speakers.
- Loudness consistency across the whole episode.
- A final master with peak headroom preserved.
Keep different speakers at a consistent level
Interview shows and remote recordings are where this matters most. A guest on laptop audio sitting six decibels below the host means listeners either miss half the answers or reach for the volume every time the conversation switches. Speaker balancing evens that out so the episode plays at one comfortable level.
If guests are picking up each other's microphones, that is a recording problem rather than a processing one, and mic bleed and crosstalk explains why.
Podcast loudness without the guesswork
Podcast apps do not all behave identically, and not every platform publishes a formal target. Apple, for example, recommends an overall loudness around -16 dB LKFS with true peaks no higher than -1 dBFS, while other services simply normalise playback in their own way. Mastering to a sensible spoken-word target with real peak headroom keeps an episode well behaved everywhere instead of tuned to one app.
The whole picture, including what is an official requirement and what is just common practice, is in podcast loudness standards explained.
Useful for recurring shows
The value of automation shows up on episode twelve rather than episode one. The same process runs every week, so output stays repeatable, nobody has to remember last month's settings, and the finishing stage takes minutes instead of an evening. For shows publishing weekly or more often, that is the difference between a sustainable workflow and a growing backlog.